K-Drama

10 K-Dramas That Should Never Have Had a Sequel: “Squid Game” Not the Worst

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K-dramas are known for their emotional depth, bold storytelling, and ability to wrap up a powerful narrative in a single season. Yet, some of the most iconic series in recent memory faltered when creators gave in to the temptation of sequels.

In fact, there have been many cases where contrary to the gripping 1st seasons, audiences are left disappointed or confused by follow-ups, with strong foundations being sacrificed for convoluted plots and diminished characters. Here are 10 Korean dramas that arguably should never have had a second season.

1. “Penthouse

Once hailed as a drama phenomenon, “Penthouse” debuted in 2020 with jaw-dropping twists and elite-class power struggles. However, by Season 3, the series descended into implausible plot devices: dead characters returned, only to die again, and villain Joo Dan Tae became cartoonishly evil. The emotional arcs of beloved leads like Shim Su Ryeon were carelessly handled, and viewers found themselves watching out of obligation, not excitement. Season 1 should have been the curtain call.

penthouse

2. “Squid Game

Season 1 of “Squid Game” was a global sensation, blending brutal survival games with cutting social commentary. But the recently released Seasons 2 and 3 diluted the show’s impact. Gi Hun, once the emotional heart of the series, became a passive figure with little narrative weight. The survival aspect gave way to heavy-handed political themes, and the games, which were once the show’s thrilling core, were sidelined. Fans worldwide criticized the newer seasons as underwhelming and unnecessary.

squid game season 2

3. “The Uncanny Counter

Season 1’s fresh blend of exorcism, action, and heartfelt drama made “The Uncanny Counter” a breakout hit. But Season 2, arriving three years later, lost its charm. Despite improved CGI, battles felt hollow and characters lacked emotional resonance. The male lead So Mun became stiff, while new additions failed to connect. Critics said it felt more like a superhero cartoon than a gritty supernatural series.

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the uncanny counter

4. “Sweet Home

Netflix’s “Sweet Home” began as a gripping survival horror with layered character development. By Season 3, however, it had become a tangled mess. Overstuffed with new characters and multiple storylines, the narrative became so disjointed that viewers admitted they had to rely on recaps to understand what was happening. The once-poignant themes were buried under a cluttered script.

sweet home 3

5. “Love Alarm

A teen rom-com success thanks to its unique “love alert” app premise, “Love Alarm” gained a devoted following. However, Season 2 sparked outrage when protagonist Jo Jo chose Hye Yeong over the fan-favorite Sun Oh, despite their stronger chemistry. The storyline felt forced and emotionally flat, leading to a steep drop in viewership. Fans called it a betrayal of the first season’s promise.

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6. “Arthdal ​​Chronicles

Dubbed the Korean “Game of Thrones”, “Arthdal Chronicles” Season 1 introduced a fascinating mythical world. But after a four-year hiatus, Season 2 disappointed. Without original stars Song Joong Ki and Kim Ji Won, the energy fizzled. Despite new leads Lee Jun Ki and Shin Se Kyung doing their best, the new season fails to recapture old magic, and the plot meandered into dull clichés.

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Arthdal Chronicles 2 The Sword of Aramun

7. “Money Heist: Korea – Joint Economic Area

With a stellar cast and the legacy of Spain’s “La Casa de Papel“, the Korean remake intrigued fans. Yet, Season 2 revealed its limitations. Lacking the tight plotting and psychological depth of the original, the story became melodramatic and incoherent. International viewers went so far as to label it a “high-budget fanfiction.”

Money Heist Korea

8. “Gyeongseong Creature

Season 1 ended with a shocking twist, building high expectations. However, “Gyeongseong Creature” Season 2 jumped into the modern era, discarding the historical backdrop and emotional core that defined the original. Han So Hee’s modern character lacked depth, and the new setting felt disconnected. The monsters also lost their impact, and the plot unraveled.

Gyeongseong Creature

9. “D.P.

The first season of “D.P.” earned critical acclaim for its raw portrayal of abuse in South Korea’s military. Season 2 shifted toward political intrigue and procedural drama, losing the intimate focus that made the original so resonant. Multiple subplots were introduced but barely developed, leaving the show emotionally scattered.

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10. “Believer

Believer” was a standout crime thriller with gripping tension and strong performances. Its sequel, however, offered a diluted, unfocused story. The new characters failed to impress, and returning characters were underused. Despite polished visuals, the emotional intensity was absent, making the film forgettable.

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These dramas had the potential to become lasting legends of Korean entertainment. Instead, their attempts at expanding the narrative only diluted what made them great. Sometimes, knowing when to stop is the most powerful storytelling choice of all.

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